Varun Grover on Why Languages Never Actually Die | Live at Jashn-e-Rekhta
Varun Grover on Why Languages Never Actually Die | Live at Jashn-e-Rekhta
BLIGHTY CAME FROM VILAYATI Varun Grover
Varun Grover on Why Even the Word Hindi Has Urdu Roots | Live at Jashn-e-Rekhta
HINDI HAS URDU ROOTS Varun Grover
Varun Grover on Purity, Borrowing and Kanpur Slang | Live at Jashn-e-Rekhta
PURITY, BORROWING & KANPUR SLANG Varun Grover
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Varun Grover's position is that Urdu and Hindi can only die if people do.
He opens on the panic about dying languages and takes it apart. A language is a river that keeps shifting its course, and as long as there are speakers, words will keep borrowing, mutating and turning up somewhere new.
From there he goes after shuddhikaran, the urge to purify a language by scrubbing out whatever came from elsewhere. His examples do the arguing for him. Blighty, which the British used for home, came from vilayati. Kanpur produced Andu Baksai, which is exactly as strange as it sounds. And the word Hindi itself has Urdu roots, which tends to end the conversation for anyone insisting the two can be separated.
He gets into the old rivalry between Delhi and Lucknow's literary circles, with a well known Meer Taqi Meer anecdote sitting at the centre of it. And he uses Kunwar Narayan's poetry to make the closing point, that what actually carries in a line has little to do with whether the word arrived from Sanskrit, Farsi or Urdu.
It's a talk in favour of the messiness. Language works because it borrows, not despite it.
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Chapters:
00:00:00 The Crowd Itself Disproves the Dying Language
00:00:50 A Language Dies Only When People Do
00:02:00 Purists Are What Actually Kill a Language
00:03:54 Hindi Is Itself an Urdu Word
00:04:38 Kunwar Narayan on Praying in Any Language
00:05:28 Blighty Came From the Urdu Vilayati
00:06:03 Andu Baksai and the British Beating Order
00:07:21 Delhi Against Lucknow, Whose Urdu Was Purer
00:07:56 Mir Stayed Silent All the Way to Lucknow
00:09:04 Why We Need Something to Feel Superior To
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About Jashn-e-Rekhta
Jashn-e-Rekhta is the world’s largest cultural festival celebrating the beauty, depth, and living spirit of the Urdu language. Held annually, it brings together poets, musicians, writers, thinkers, and artists from across the world to create a space of poetry, music, conversations, and storytelling. From soul-stirring mushairas and spellbinding musical evenings to intimate dialogues and immersive cultural experiences, the festival is where language turns into emotion and heritage finds a contemporary voice. More than a festival, Jashn-e-Rekhta is a movement that keeps Urdu alive, relevant, and deeply connected across generations.
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About Rekhta Foundation:
Rekhta Foundation is a not-for-profit organisation committed to preserving, promoting, and celebrating the Urdu language and its rich literary and cultural legacy. Through digital archives, learning platforms, publications, festivals, and community initiatives, the Foundation works to make Urdu accessible and meaningful for audiences worldwide. By bridging classical traditions with modern platforms and voices, Rekhta Foundation ensures that the language continues to inspire, connect, and evolve with time.
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