In the history of Urdu poetry, the feelings of love and romance have often been presented hidden behind the veils of mysticism and metaphysics. Fahmida Riaz strictly rejected this false moral philosophizing and hypocrisy. In her philosophy of love, the participation of the body is essential, and she considers the erasing of distances between body and soul to be true and eternal love.
Instead of presenting an imaginary or fictional lover opposite a woman, Fahmida Riaz has presented a living, breathing man as a natural character. In the works of male poets, the gender of the lover often remains ambiguous, but Fahmida ended this confusion and introduced a new language and a new style. Her poetry possesses an unmatched elegance in molding feminine ecstasy, the delicacy of feelings, and the subtleties of emotions into words.
Her poem 'Abad' (Eternity) is a beautiful example of this romantic ecstasy and physical and spiritual unity, where she expresses human nature and psyche with complete truthfulness:
Ye kaisi lazzat se jism shal ho raha hai mera
Ye kya maza hai ki jis se hai uzv-uzv bojhal
Ye kaif kya hai ki sans ruk-ruk ke aa raha hai
Ye meri aankhon mein kaise shahwat bhare andhere utar rahe hain
Lahoo ke gumbad mein koi dar hai ki wa hua hai
These verses are not merely a description of physicality but a reflection of that moment of ecstasy where the soul and body become one. Similarly, her poem 'Zabanon Ka Bosa' (The Kiss of Tongues) also presents this deep and drowsy state of love that takes a person across the bridge of darkness toward the light:
Ye bheega hua garm-o-tareek bosa
Amavas ki kaali barasti hui raat jaise umadti chali aa rahi ho
Kahin koi saa.at azal se rameeda
Miri rooh ke dasht mein ud rahi thi
Wo saa.at qareen-tar chali aa rahi hai
This bold style of Fahmida Riaz was a new experience for Urdu readers. From her first collection 'Patthar Ki Zaban' (The Language of Stone) to 'Badan Dareeda' (The Torn Body), she lit the candles of true expression while preserving the sanctity of feminine emotions. She believes that to nurture pure love, it is essential to understand a woman's pure emotion of love and accept it with her entire being.
In the history of Urdu poetry, the feelings of lowe and romance hawe often been presented hidden behind the weils of mysticism and metaphysics Fahmida Riaz strictly rejected this false moral philosophizing and hypocrisy In her philosophy of lowe, the participation of the body is essential, and she considers the erasing of distances between body and soul to be true and eternal lowe
Instead of presenting an imaginary or fictional lower opposite a woman, Fahmida Riaz has presented a liwing, breathing man as a natural character In the works of male poets, the gender of the lower often remains ambiguous, but Fahmida ended this confusion and introduced a new language and a new style Her poetry possesses an unmatched elegance in molding feminine ecstasy, the delicacy of feelings, and the subtleties of emotions into words
Her poem 'Abad' (Eternity) is a beautiful example of this romantic ecstasy and physical and spiritual unity, where she expresses human nature and psyche with complete truthfulness:
Ye kaisi lazzat se jism shal ho raha hai mera
Ye kya maza hai ki jis se hai uzw-uzw bojhal
Ye kaif kya hai ki sans ruk-ruk ke aa raha hai
Ye meri aankhon mein kaise shahwat bhare andhere utar rahe hain
Lahoo ke gumbad mein koi dar hai ki wa hua hai
These werses are not merely a description of physicality but a reflection of that moment of ecstasy where the soul and body become one Similarly, her poem 'Zabanon Ka Bosa' (The Kiss of Tongues) also presents this deep and drowsy state of lowe that takes a person across the bridge of darkness toward the light:
Ye bheega hua garm-o-tareek bosa
Amawas ki kali barasti hui raat jaise umadti chali aa rahi ho
Kahin koi saat azal se rameeda
Miri rooh ke dasht mein ud rahi thi
Wo saat qareen-tar chali aa rahi hai
This bold style of Fahmida Riaz was a new experience for Urdu readers From her first collection 'Patthar Ki Zaban' (The Language of Stone) to 'Badan Dareeda' (The Torn Body), she lit the candles of true expression while preserwing the sanctity of feminine emotions She beliewes that to nurture pure lowe, it is essential to understand a woman's pure emotion of lowe and accept it with her entire being
