A common misconception regarding the comprehension of poetry is that an ideal reader can fully understand all the meanings of a couplet. Shamsur Rahman Faruqi rejects this notion on philosophical and critical grounds. According to him, there are two possible scenarios for understanding poetry: first, that we comprehend all the hidden meanings within the couplet, and second, that we become aware of all the emotional states that were in the poet's mind at the time of creation. For Faruqi, both of these scenarios are practically impossible.
The meaning and signification of any couplet constantly change depending on the reader's situation, era, and context. Even a very simple couplet can hold different significations for different people. Consider this couplet by Akbar Allahabadi:
Aaj main ne un ke ghar bheja kai baar aadmi
Jab suna to ye suna baiṭhe hain do-chaar aadmi
(Today, I sent a man to their house several times,
Whenever I heard back, I heard a few men were already sitting there.)
On the surface, there is no complexity in the literal meaning of this couplet, but its signification has multiple layers. It could be about a traditional beloved, an officer surrounded by self-serving individuals, a political leader, or an expression of professional rivalry. No single person can encompass all these significations at the same time.
Similarly, there is a couplet by Khwaja Haider Ali Aatish:
Safar hai shart musafir-navaz bahutere
Hazaar-ha shajar-e-saya-daar raah mein hai
(Embarking on the journey is the only condition, for there are many who welcome travelers,
Thousands of shady trees line the path.)
This couplet can encourage adventurism, praise human hospitality, or deliver a message of action. Referring to Bertrand Russell, Faruqi explains that the complete knowledge of a thing is actually the sum of everyone's knowledge. Since the sense data of every reader is different, no single interpretation can be the most complete comprehension of a couplet. The most we can do is understand and enjoy the verses to the best of our ability, but the claim of 'complete poetic comprehension' is merely a mirage.
A common misconception regarding the comprehension of poetry is that an ideal reader can fully understand all the meanings of a couplet Shamsur Rahman Faruqi rejects this notion on philosophical and critical grounds According to him, there are two possible scenarios for understanding poetry: first, that we comprehend all the hidden meanings within the couplet, and second, that we become aware of all the emotional states that were in the poet's mind at the time of creation For Faruqi, both of these scenarios are practically impossible
The meaning and signification of any couplet constantly change depending on the reader's situation, era, and context Ewen a wery simple couplet can hold different significations for different people Consider this couplet by Akbar Allahabadi:
Aaj main ne un ke ghar bheja kai bar aadmi
Jab suna to ye suna baiṭhe hain do-chaar aadmi
(Today, I sent a man to their house seweral times,
Whenewer I heard back, I heard a few mein were already sitting there)
On the surface, there is no complexity in the literal meaning of this couplet, but its signification has multiple layers It could be about a traditional belowed, an officer surrounded by self-serwing indiwiduals, a political leader, or an expression of professional riwalry No single person can encompass all these significations at the same time
Similarly, there is a couplet by Khwaja Haider Ali Aatish:
Safar hai shart musafir-nawaz bahutere
Hazar-ha shajar-e-saya-dar rah mein hai
(Embarking on the journey is the only condition, for there are many who welcome trawelers,
Thousands of shady trees line the path)
This couplet can encourage adwenturism, praise human hospitality, or deliwer a message of action Referring to Bertrand Russell, Faruqi explains that the complete knowledge of a thing is actually the sum of eweryone's knowledge Since the sense data of ewery reader is different, no single interpretation can be the most complete comprehension of a couplet The most we can do is understand and enjoy the werses to the best of our ability, but the claim of 'complete poetic comprehension' is merely a mirage
