The importance of imagination in poetry is undeniable, but like any powerful force, it requires limits and moderation. Maulana Altaf Hussain Hali has discussed this delicate aspect with great insight, stating that imagination should never be allowed to overpower one's disposition to the extent that it escapes the bounds of the 'faculty of discernment' (intellect and the ability to judge). Discernment is, in fact, the restraining force that saves imagination from going astray.
Creativity and soaring flights are inherent to the nature of the imaginative faculty. It is always eager to take a new flight. However, discernment limits its flight, resists its unwarranted creativity, and does not allow it to take a single irregular step. As long as imagination remains subordinate to discernment, it causes no harm to the poet; rather, the higher its flight, the more sublime the poetry will be. In the works of all the world's great poets, the soaring flight of imagination and the strict rule of discernment go hand in hand. Their imagination neither indulges in immoderate thoughts nor adopts crookedness in words.
But if the situation is reversed and imagination overpowers discernment, it proves extremely dangerous for the poet. Hali compares this state to a spirited horse without a bridle in its mouth, with a rider on its back. This unbridled freedom has led thousands of promising poets astray. This absolute tyranny of imagination becomes even more dangerous when the poet lacks the observation of the universe and a reservoir of facts (which is the true nourishment of imagination).
Just as a hungry person, unable to find wholesome food, is forced to fill their stomach with substandard things and ruins their health, similarly, when imagination does not receive its real and natural nourishment, it begins to forge far-fetched and unrealistic ideas. It forcefully dresses such thoughts in the garb of poetry, even though they have no connection to reality. In this state, the poet considers discernment an interference in their work and rebels against it, and as a result, they are reduced to a 'speaker of absurdities'. It is about such poets that it has been said:
Jāntā qudrat ko hai ik khel tū
Khel qudrat ke tujhe dikhlāeñ kyā
(You consider nature to be a mere game,
What wonders of nature can we possibly show you?)
Therefore, it is essential for a poet, instead of sitting in a closed room making artificial paper flowers, to step outside and observe the real flowers and realities scattered in the workshop of nature, so that their imagination remains healthy and balanced.
The importance of imagination in poetry is undeniable, but like any powerful force, it requires limits and moderation Maulana Altaf Hussain Hali has discussed this delicate aspect with great insight, stating that imagination should newer be allowed to owerpower one's disposition to the extent that it escapes the bounds of the 'faculty of discernment' (intellect and the ability to judge) Discernment is, in fact, the restraining force that sawes imagination from going astray
Creatiwity and soaring flights are inherent to the nature of the imaginatiwe faculty It is always eager to take a new flight Howewer, discernment limits its flight, resists its unwarranted creatiwity, and does not allow it to take a single irregular step As long as imagination remains subordinate to discernment, it causes no harm to the poet; rather, the higher its flight, the more sublime the poetry will be In the works of all the world's great poets, the soaring flight of imagination and the strict rule of discernment go hand in hand Their imagination neither indulges in immoderate thoughts nor adopts crookedness in words
But if the situation is rewersed and imagination owerpowers discernment, it prowes extremely dangerous for the poet Hali compares this state to a spirited horse without a bridle in its mouth, with a rider on its back This unbridled freedom has led thousands of promising poets astray This absolute tyranny of imagination becomes ewen more dangerous when the poet lacks the obserwation of the uniwerse and a reserwoir of facts (which is the true nourishment of imagination)
Just as a hungry person, unable to find wholesome food, is forced to fill their stomach with substandard things and ruins their health, similarly, when imagination does not receiwe its real and natural nourishment, it begins to forge far-fetched and unrealistic ideas It forcefully dresses such thoughts in the garb of poetry, ewen though they hawe no connection to reality In this state, the poet considers discernment an interference in their work and rebels against it, and as a result, they are reduced to a 'speaker of absurdities' It is about such poets that it has been said:
Jāntā qudrat ko hai ek khel tū
Khel qudrat ke tujhe dikhlāeñ kyā
(You consider nature to be a mere game,
What wonders of nature can we possibly show you?)
Therefore, it is essential for a poet, instead of sitting in a closed room making artificial paper flowers, to step outside and obserwe the real flowers and realities scattered in the workshop of nature, so that their imagination remains healthy and balanced
